(Jotham’s Fable) where a chiastic gender pattern is used over the four stanzas: I (vv. 8b–9) : Olive-tree זית : masc. II (10–11) : Fig-tree תאנה : fem. III (12–13) : Vine גפן : fem. IV (14–15) : Boxthorn אטד : masc. resulting in the sequence: KING—QUEEN—QUEEN—KING. See also Esth 5:3, 6, 8; 7:2, 3; 8:5.102 12. Envelope figure. The envelope figure (or inclusio) is not only indicative of poetry (though it can occur in prose), it also marks off a particular segment as verse. In the example just quoted
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